Monthly Archives: January 2015
Posted by Steven Lochran
I recently had the opportunity to teach a workshop at Writers Victoria on Young Adult Fantasy. I’ve been a member of both WV and, before that, the Queensland Writer’s Centre from when I was first trying to get published over ten years ago. So to say the prospect was both daunting and thrilling is a bit of an understatement.
I needn’t have been so daunted, however, as everyone who attended turned out to be bright and eager and articulate and engaged, and together we discussed all things YA Fantasy, as well as the challenges of working on a manuscript and trying to get it published.
More than anything, it took me back to when I was working on my first (unpublished) manuscript, toiling away with what felt like a dim hope that somehow, someday, it might end up as an actual book. I remember feeling very confused at the time, and frustrated, and uncertain.
I’m often asked what advice I have for aspiring authors, and it was no different with the workshop. And in thinking it over, I came up with the advice that I know I could have used when I was starting out. So with that in mind, these are my 7 tips for aspiring authors. Why 7? Because I had to stop myself somewhere, otherwise I’d still be going.
1. Think three-dimensionally.
We read a book from beginning to end, so naturally we think we have to write a book from beginning to end. Not so. If you’ve gotten to a point in your manuscript that you’re stuck on but you have an idea of what happens later on in the story, then jump to writing that part of the story. Come back later and fill in the blanks. Nobody will know the difference in the finished product. You’re not a bricklayer. You’re a time traveller. Don’t be afraid to jump around.
2. Work on more than one project at a time.
When you’re writing your first manuscript, you naturally want to put everything you have into it. All your time, all your imagination, all your passion. And that’s as it should be. If you’re going to sit down and write tens of thousands of words, those words need to be on something that you care deeply about.
The problem comes when you start re-drafting, and re-drafting, and re-drafting. You want this manuscript to be perfect. You want it to have the best possible chance of finding an agent, landing a deal, becoming a bestseller. Your entire worth as a writer and aspiring author becomes laser-focused on this one book.
But nobody wants to become an author so they can publish just the one novel. Unless you’re Harper Lee. Or JD Salinger. And I’m going to stop listing counter-examples now because it’s not helping me make my point.
Most writers want to go on keep writing books. So my advice is this. Write your manuscript. Re-draft it. Make it the strongest piece of writing that you can. But while you’re doing that, permit your imagination to wander. Think of what you might like to write next. Jot down notes. Write a fragment here, a line there.
In other words, start developing the idea. Filmmakers often develop multiple projects simultaneously, and end up going ahead with the one that gets the most amount of momentum and interest behind it.
And the reason for doing this as a writer is two-fold; firstly, it means you don’t live or die on the fortunes of one manuscript. More importantly, it means that if you end up getting a meeting with a publisher or an agent and they inevitably ask if you’re working on anything else, you can say that you are and then pitch them that project at the same time.
3. Nothing comes out as perfectly as the way you imagined it.
Before the story moves onto the page it first lives in our heads as a sequence of images, possibly tied together by a few select words and phrases. The work comes in trying to connect the dots and transmit all those images, thoughts, and feelings into the heads of our readers.
We are very rarely happy with how we accomplish this. We can be satisfied, we can feel that we’ve more or less done it, but it’s never the same as how we first envisioned it. It might be better, it might be worse, but mostly it’s just different.
And I think one of the major reasons we keep writing is because we keep striving for that moment where we reach into our skulls, pluck out the ideas exactly as we imagined them, and plop them down in front of everyone as if we’ve just pulled a rabbit from our hats.
But if you’re having trouble with that, don’t get frustrated. Don’t give up. You’re just experiencing the same anxieties as every other writer, from beginners starting out through to Booker winners working on their latest masterpiece.
4. Know what your book is about and where it sits in the market.
I was once talking to a friend about the book they were writing and I asked them what it was about. They couldn’t say. Now to be fair, “What is your book about?” is a deceptively tricky question, especially when you’re in the midst of writing it and still discovering that for yourself. But it’s a question you’re eventually going to have to answer, and that you’re going to have to answer confidently.
If this is a question that baffles you, my suggestion would be to think of it this way; if you worked in a bookstore and you were trying to recommend this great new novel, how would you do it? What other books would you compare it to, what would you identify as the “hook” of the story that would capture a reader’s imagination?
And if that’s too tricky, I’d suggest breaking it down further. Still imagining yourself as a bookseller, pretend that a customer comes in raving about your book. What do you imagine they’d pick out as its distinguishing characteristics? What other books would you in turn recommend to them?
When a publisher is considering picking up a new manuscript, they look at how it fits with what’s currently popular and what they think is missing from the market. If you can identify those elements in your work, you’re already one step ahead of all the other manuscripts that are stacked up on the publisher’s desk.
5. Take all advice with a grain of salt.
When we’re starting as writers, we naturally seek out the advice of those who’ve gone before us. Many authors will provide you with long list of “Dos” and “Do nots”. But those “rules” are the ones that worked for them. Pick and choose the advice that works for you. Try different methods. Don’t worry if you’re doing something “wrong”. Writing is an art form. There are no rules in art. But that said, try to avoid using too many adverbs. And don’t mix your metaphors. And eat all your vegetables, they’re good for you.
6. There is no straight line to publication.
No author can tell you the secret of how they got published in a way that can be perfectly replicated. Just as every story is different, so is every path to publication. You might get an agent on your first try or it might not happen until your second, or your third. It might not happen at all, and you may never even need an agent in the first place. You may know someone in publishing who can help you, you may live in the back of nowhere with no contacts and no place to start. There are no qualifications you need, there are no tests to be taken, there is no secret door to pass through. All you can really do is…
7. Just keep writing.
Don’t get bogged down in research. Don’t focus on one element of your story at the expense of all the others. Don’t draft and re-draft and polish and tweak and hyperventilate and rinse and repeat. Write. Keep writing. Finish writing, and start writing something else. Send your writing out into the world, and celebrate or console yourself as need be. And then go back and keep writing.
The only time it’s guaranteed that you won’t succeed is when you stop trying.